George W.M. Reynolds And The Many Novels In The Mysteries Of The Court Of London

In The Mysteries Of The Court Of London by R.E. Prindle One may think that the ten volumes of Mysteries Of The Court Of London is one long novel, which of course it is, yet in that one novel are many others. In this essay I would like to discuss that of Prince George, Tim Meagles and Lady Lade. Let us start with a chat about the changing times and change of consciousness occurring in the revolutionary age that existed from1789 to perhaps, gosh, I don’t know, perhaps 1860 or even 1880, at which time the revolutionary Benjamin Disraeli cast off his mortal coil. At least that phase of revolution which metamorphizing from shape to shape is continuing today and into the future,. Now, I’m just discussing in the next few passages an idea I find interesting. Philip Jose Farmer, a twentieth century American novelist, noted that a comet fell on the town of Wold Newton in England in 1795. Musing from this point he dates modern popular literature as a unit he denominates the Wold Newton Universe. There is also an interesting French version of the Wold Newton Universe. Now, it just so happens that 1795 was the approximate year that modern consciousness consolidated and emerged. As an indicator of its accuracy I point out that the Monthly Magazine of England changed it typography from the late Medieval style to the modern following the year 1795. Typeface did a transfiguration to the new fonts, most significantly changing the ff for ss to ss. The changed fonts is a more significant event than one might think, because along with it went a change of consciousness. Men thought differently. Of course, the evolution of consciousness was deeply affected by the emergence of the Industrial Revolution as well as the social, religious and political revolutions and the evidence became apparent in 1795. This first act of modernity, Revolutionary Age, continued through the novelistic pen of George W. M. Reynolds. When he set down his novelistic pen c. 1860 England, at least, was passing into the second stage which we may say was initiated by Charles Darwin’s declaration of human evolution in 1859. There is no coincidence that the Gothic literary period c. 1795, surfaced at the time of the Wold Newton comet. The post-Medieval period that ended in 1795 was one of mysterious supernatural happenings. At that period leading into the modern period the novelists began their tales on a supernatural, mysterioso basis of inexplicable circumstances then reduced them to understandable events by eliminating the supernatural mysteries through reason or rationality. Everything was made clear through the application, as it were, of scientific knowledge thus exemplifying the change in consciousness. The world of mystery was left behind and writers began to write in rational terms. The writer GPR James neatly straddles this evolution of consciousness in his psychological outlook. The Industrial Revolution solved certain societal problems and created others. At that time the population was expanding rapidly causing problems and creating opportunities. The population could not be absorbed under the pre-1795 conditions. Unless means could be devised to incorporate the new masses starvation must have resulted as Malthus predicted. But, the application of scientific principles and their technological application made the railroads a means of creating a massive number of jobs thus absorbing the surplus population; the change of scale from X to X+1 demanded additional workers. However, as the under classes multiplied faster than the aristocrats this tended to make the aristocratic position untenable. This was the situation when George Reynolds came to maturity and exploited as a novelist. Thus he became a revolutionary or Red Republican attacking the aristocracy and monarchy while championing the underclass. His take was eminently successful. .2. Let us consider for a moment George’s place in the hierarchy of great novelists. In my estimation he belongs in the first rank whether eighteenth, nineteenth or twentieth century. The times were changing rapidly although not at the warp speed of today. George’s popularity was based perhaps on a more parochial approach than a universal one. It was more closely identified with his specific time period. I rank his Mysteries of the Court of London amongst the great literary achievements of the post-1795 modern period, as great or greater than Les Miserables by Victor Hugo or Marcel Proust’s In Search of Lost Times as examples. Further, I would say that Reynolds was a significant influence on English writers who succeeded him. If he was in fact the most successful novelist of nineteenth century literature as is claimed, his contemporaries and successors had to take note of him. Just as one example in Vol. IV, Mrs. Fitzherbert, in the tale of the Monster Man he lays out the complete plot of Stevenson’s Jekyll And Hyde. It is well known that when as a child Stevenson was laid up with his illness he read the Penny Dreadfuls and obviously this stories of Reynolds. Seriously, Stevenson lifted the complete story. While he says that the story appeared to him complete in a dream, he must mean that his subconscious retrieved it from his early reading. I think that W.M. Thackeray in his epic novel Vanity Fair, that has survived two hundred years being still read today, is very dependent on Reynolds style, as well as Charles Dickens, Our Mutual Friend. And others. Victor Hugo, the French writer gives indication of having read Reynolds most especially in Jean Valjean’s episode in the sewers of Paris. A couple of Reynolds more startling passages are his characters mucking about in the sewers of London before Hugo wrote Les Misérables . If Hugo wasn’t influenced by Reynolds in that respect then Reynolds definitely takes priority in sewer episodes. Bear in mind that things are rapidly changing now and almost the whole of the last two hundred years is being discarded as inapplicable to current consciousness, as well as what went before. When the older people now existing are gone a curtain will fall between the old and the new. The past will have become irrelevant. But, as the past is still relevant I will speak of it as timeless. Hugo has two of the great novels of the period, Notre Dame De Paris, or under the movie title, The Hunchback of Notre Dame and Les Misérables. Court of London easily surpasses Les Misérables and measures up to Notre Dame De Paris. The latter is in a special category of genius. Reynolds has greater genius than Marcel Proust and I think is substantially superior. Proust’s style did produce excellent results but in a peculiar way. Reynolds easily matches Cervantes. I’ve only read a few pages of Tolstoy but I have no respect for his premise. Dostoyevsky’s Crime and Punishment is another in the special class of genius. It’s not really a very good novel but Dostoyevsky penetrates to the heart of the matter. And then, as George was hanging up his pen in the Sixties the style began another change. Along came the beginning of Science Fiction with the Frenchman Jules Verne and on top of Jules the Empire writer, H. Rider Haggard, emerged with his tales of African adventures along with the real life adventures of Samuel Baker, Richard F. Burton and the immortal Henry Morton Stanley. Fiction could barely stand up to those guys. The pursuit of the source of the Nile is one of the three great Western epics: The Iliad, The Arthurian saga and The Source of the Nile. What a trilogy, but, that’s another story. So-called Literary fiction continued apace under numerous other writers, interesting but not exciting. With this change the Wold Newton Universe began in earnest. Back to George Reynolds. As I intimated earlier the Court of London as a whole is built around the character of George IV. He is the central character of all the sub-novels. One also has to include London as Central character after the manner of Hugo and Notre Dame. Reynolds much admired Notre Dame De Paris in which Victor Hugo examines architecture as an indicator of civilization making his story revolve around that churches structure. Reynolds follows that method with the city of London. As I indicated the first of these sub-novels of Court of London first series, I’m undertaking is the story of Tim Meagles and his companion Lady Lade. The Court of London is essentially a historical novel taking place from 1795 to 1820. Can it be a coincidence that George’s unhappy marriage to Caroline of Brunswick occurred in 1795? Boy, that Wold Newton comet was some comet wasn’t it? As a historical novel many of the characters are historical or based on historical characters. Having read the novel twice before, this third reading I was surprised to find that Lady Lade was a historical figure and presented fairly accurately while Tim Meagles appears to be an amalgam of the very interesting Beau Brummel and perhaps an Irish character, maybe Daniel O’Connell, I’m just guessing on the latter. Meagles seems to be a favorite character for Reynolds. Meagles model Beau Brummel was also a hero to Reynolds. The Beau was the premier Dandy at the time while in Reynolds’ pictures he also appears as a Dandy. Tim Meagles Tim Meagles is one of the very best characters George Reynolds created. He, Lady Lade and George IV would make a wonderful movie or a terrific streaming series. We don’t have access to the depth of Reynolds knowledge for his fictional history of George IV was, but he has obviously studied George’s life. Reynolds is very knowledgeable about history. His reading sources would be much different from ours; while at the same time he would have had conversations with knowledgeable people who may have lived through the times as well as bull sessions with associates and friends. Much of that would have been gossip and much would be fact. Much that he writes may seem preposterous to our eyes, but the times, customs and possibilities were different from our times but still amazingly similar if you look behind the façade. One telling point he made concerning George IV’s times compared to his was that there were no New Police back then. One was virtually free to do what one wished, that there were no police means that it was a wide open society while the influence of Rabelais and his famous dictum in Gargantua and Pantagruel: Do what thou wilt shall be the whole of the law while diminishing still prevailed. The spirit of the Hell Fire Clubs slumbered in the embers. Two law standards existed, Rabelais for the aristocracy strict morality for the common people. Reynolds repeatedly calls this out. George IV according to George Reynolds held that there was a third law that existed for him alone: The King, or heir apparent, could do no wrong. George IV was a libertine Rabelaisian of a high order in the spirit of the Hell Fire Clubs. That particular past weighed heavy on the mind of George IV. The only difference was that the power of the English kings was being rapidly usurped by the Parliament; he was under scrutiny while the Hell Fire Clubs operated with impunity. Therefore, in Reynolds’ fictional history Tim Meagles’ function was to do dirty deeds dirt cheap. Tim found the ways to bail George IV out of difficulties. Beau Brummel, Tim’s model was merely an arbiter of fashion having a hand in shaping men’s fashions at the time. He was the son of a successful entrepreneur who died leaving him with twenty thousand pounds and a burning desire to be ennobled. Thus the Beau had to try to enter high society with no title and inadequate means; he was a simple Mr. Assuming the pose of the Dandy he succeeded in making himself the arbiter of fashion while insinuating himself into George’s favor thus succeeding to make himself the arbiter of fashion, the King of the Dandies, Men About Town and Men of the World. George IV allowed him to live in his private residence, the Carlton House, whileTim Meagles had a key to a private entrance directly to George’s quarters so that he could come and go as he pleased without being observed. The Beau unfortunately failed to remain in his subordinate place foolishly trying to make himself greater than George, while actually he was a mere hanger on. The crisis in the relationship came and the Beau was expelled. While the Beau had been badgering George to be ennobled he had failed. Out of favor then, he had no status. Desponding, the Beau ran through his inheritance, ran into debt, and had no choice but to exile himself to Calais. He died a shattered man. Lady Lade If George Reynolds liked Tim Meagles, he loved Lady Lade, she was the woman of his heart his belle ideal. She appears in many forms and under many names is this fabulous work. Lady Letitia Lade was a very real person, as significant as Beau Brummel, that George presents almost unfictionalized. She was very notorious in her time being avoided by respectable ladies. She came from the bottom stratum of society working her way up. She was said to have been married to the notorious highwayman Sixteen String Jack Rann who lived fast, loved hard and died young, 24 years old, at the end of a rope. Apparently a strong minded woman, she worked her way up, marrying a Lord, John Lade. Reynolds has her surviving her aged husband but in reality she died in 1825 while her young husband strung his life out to 1838. George also makes her a transvestite wearing men’s clothes exclusively whereas John Stubbs, the painter, in his portrait of her, pictures her wearing a voluminous dress sitting side saddle on a rearing horse. Her athleticism was masculine. George also relates her mythologically with the Roman Goddess Diana, in Greek Artemis, Our Lady of the Animals, or the huntress. George gets fairly deep here as he is inferring a deeper knowledge of European Mythology than one expects. I also think that this links him with the European Faery religion that still has a subterranean existence. If you remember, Shakespeare in his A Midsummer Night’s Dream revives the Faeries and their king Oberon who was said to have abandoned his role in Bordeaux at the end of the story of Huon. Elizabeth I was known as the Faerie Queen and the heroine of Spenser’s poem of that name. The transition from Elizabeth to Charles I represented a significant break from the past. If you have delved into the massive work of King Arthur you will remember that Lancelot was abducted by the Faerie Queen, Vivian, in France and reared beneath the Lake in preparation of reestablishing Faerie rule. Lancelot then when he turned eighteen was sent by Vivian/Diana to challenge Arthur for the Faerie kingdom of Camelot. He rode forth from the lake dressed in flowing white satin, his horse caparisoned the same. It appears that Vivian sent her acolyte to usurp the kingdom of Arthur, thus Arthur unknowing sent Lancelot to escort Gwenivere his future queen to Camelot. Well trained in Faerieland Beneath the Lake by Vivian/Diana, the Queen of the Faeries, Lancelot had no trouble winning Gwenivere’s heart from Arthur. There began the last stand of the Faeries that resulted in the destruction of Camelot. This story resonates strongly with Homer and Troy. Guinevere taking the place of Helen and Lancelot Paris, the battle before Lancelot’s Beau Regarde, that of the sacred city of Troy. How much of this Faerie lore George Reynolds might have known isn’t clear to me but Meagles wins the heart of the Huntress, the Amazon, the desirable, the fascinating Lady Lade/Diana, the Faerie Queen, from John Lade. Could be true, nevertheless the Meagles/Lady Lade story is a most enchanting tale, my favorite of the Mysteries of the Court of London, first series.. .3. The story has more than one center and at the center of each is George IV, the origin of all the stories is closely related to the Page and Julia Lightfoot story. It’s hard work but you have to keep all the stories in your mind at the same time. A clue mentioned off hand is realized a hundred or a hundred fifty pages on. Sometimes he refreshes the reader’s memory, sometimes not. George III was thought to have been married to a Quaker woman named Hannah Lightfoot in his youth so this novel centers on the proofs of the marriage. Reynolds believes the story, constructing his story on the ‘facts.’ The facts, rather fictional or actual, consist of a couple documents and ultimately on a packet of letters written by George III. Reading George’s representation I conclude that there was no wedding ceremony but according to the old dodge he and Hannah were married ‘in the sight of heaven.’ That dodge was universal in its application then as now. No matter, Reynolds says they were married. As it’s his story he should know. Meagles and Letitia have come into possession of one half of the document while Page and Julia Lightfoot have the other half. Page plays a large role in the novel but I will deal with him separately in another essay. Here he had been captured and imprisoned by some villains. He escapes by digging through a wall entering the adjacent unit where Hannah Lightfoot’s brother lies dying. Julia Lightfoot, the brother’s daughter, Hannah being her aunt, returns from an errand to find Page sitting next to the now dead brother rifling through his wallet. Not particularly disturbed by her father’s death she and Page team up. A paper refers to some treasure secreted in the basement to which the two unite to find. The treasure seems to be six bags of sovereigns. The papers have provided the proofs of George III’s marriage to Hannah Lightfoot, Julia’s aunt, and a seeming pile of gold if handled correctly. Ever scheming Page sees a fortune looming. He and Julia immediately marry. The marriage, a real one, seems made in heaven as destiny is apparently involved here. Page learns that Meagles and Lady Lade have the other half of the document proving the marriage. They then sell their half to Meagles and Lady lade for a thousand pounds real money, the gold having been discovered as counterfeit as Julia’s father was a coiner. The bold Meagles then makes his way to George III in an interesting scene to extort a peerage, you can read it for the details. My first thought was that the scene was impossible but as I read into the history of the period I thought it could have been. After the restoration of the crown after the Cromwellian intermission the Stuarts tried to restore the absolute power of the king. Charles II held on but under James II the magnates rebelled offering the crown to William and Mary of Holland. Now, the future Prime Minister Benjamin Disraeli who studied the era said that the Whigs wanted a ceremonial king after the fashion of the Doge of Venice. William refused the crown on those terms, he had no wish to be a powerless king, so an accommodation was arranged. The last of the Stuarts was Queen Anne who succeeded William. When she died in 1720 a new dynasty had to be established. Avoiding a civil war, the Whigs went to Germany and recruited the Hanoverian sovereign George making him George I. He was ideal. He spoke no English, cared little for English affairs, spent most his time in Hanover, leaving the way open for the Whigs to usurp monarchical powers. Perfect for this Whigs. This continued under George II who was also considered a foreign intruder. Still perfect. When George III, who was born and bred in England but was still considered something of a German intruder by the Whigs, became king he refused to be ceremonial and sought to recapture monarchical powers at which he ultimately failed. George IV, now thoroughly English rebelled at being ceremonial but royal powers were beyond redemption. So, while George III was still king it might have been possible for someone like Meagles to gain access and extort benefits from the King of England. This is Reynolds portraying it so he must have thought it possible. In an important episode Meagles, who did dirty deeds dirt cheap for George IV, at George’s insistence that he must have 15,000 pounds, found a dupe named Foster, a merchant, to proffer the money. Lending money to George IV was like sending a light beam into a black hole; it went in but never came out. Nevertheless, time passed, the merchant needed the money in an emergency. George said: Help me, Tim. Tim went to work. Meagles and Lady Lade turned London upside down finally finding a French expatriate, this is during the French Revolution remember, French expatriates abounded, who was willing to advance his cache of 20,000 pounds to George. Taking the money George refused to give the 15,000 pounds back to Foster. At the climax, unable to meet his obligation, the now bankrupt Foster went home and shot himself in the head leaving his wife and daughter destitute. This ‘heartless’ attitude of George absolutely disgusted Meagles and the Amazon. Rose Foster subsequently turns up at Mrs. Braces House of Assignation under the name of Rose Morton. George is a regular patron of Mrs. Brace, (quite another novel) desiring Rose. Adventures ensue, Rose escapes Mrs. Brace, is recaptured and offered once again to George. Skipping details, George is about to rape Rose when Meagles and James Melmoth break into the room. The police arrive but since they cannot possibly arrest the Prince, George has them arrest the two knights errant. The Prince in his rage at Meagles has him exiled to America. Reynolds has a regular conveyer belt of criminals going to America. James Melmoth will later appear as the Monster Man, another story, but the interest here is that it indicates that Reynolds has read the Irish author, Charles Maturin, who wrote his fabulous Gothic novel Melmoth, The Wanderer, flashes of which appear in Reynolds’ work, as here. In a spectacular sequence of events the exiled Meagles is returned to England. Now this is interesting. The ship that carries him is named the Diana. Thus this whole sub novel of Meagles and Lady Lade is related to the Faerie and mythical kingdoms. Reynolds knows a lot more than he openly reveals. I would dearly love to know the books he read. Leaving out the details leading up to Meagles’ success in extorting a Marquisate and 10K pounds a year from George III, then marrying Lady Lade whose aged husband had been frightened to death by George’s agents as they searched his house for papers relating to Hannah Lightfoot. Those important papers were a packet of love letters from George to Hannah Lightfoot. The corrupted banker Ramsay had the packet. As that story evolved Ramsay determined to flee to, where else, America to try to begin a new life. As a last foray he intends to blackmail Lady Desborough. Meagles is onto him following him to Aylesbury on a hunch. Having already despoiled the Desboroughs of thousands of pounds they are fearful that this will be a continuing situation so they determine to kill the parasite which they do. Meagles is in the bushes observing. he rushes out to offer aid in concealing the body. He thus discovers the Lightfoot letters in Ramsay’s pocket. Bingo! Back to George III. Meagles and Lady Lade extort a Marquisate from George to gratify his desire to be ennobled and a bundle of cash, next getting married, then fleeing London for the shires. Reynolds sums up Meagles’ career: Thus enriched, our sporting friend was enabled to cut a fine figure in the West End; and in due course it was announced in the newspapers that Mr. Meagles had laid claim to the dormant Marquisate of Edgemore. The matter was brought before the House of Lords; no opposition was offered, and behold! The dashing, gay, and unprincipled Tim became elevated to the peerage. He soon afterward married Lady Lade and the remainder of their days were passed happily enough. Thus George culminates his little fairy tale of Tim the faerie king and Diana the faerie queen. This is unlike Beau Brummell who broke and depressed lived his last days in misery as a common man… I think I will next review the sub-novel concerning Page the Commercial Traveler. Page apparently had no need of a first name and if Reynolds mentioned it, I missed it.